Pina Bausch: ...como el musguito en la piedra. ay si, si, si... and Nur Du, Sadler's Wells, review

Tanztheater Wuppertal Pina Bausch/Two Cigarettes in the Dark, Sadler’s Wells - review

It’s fair to assume there were a few Valentine’s dates going on at the opening night of Tanztheater Wuppertal Pina Bausch's current London stint.

standard.co.uk (3 months and 9 days ago)

Vollmond (Full Moon), Tanztheater Wuppertal, Sadler's Wells, review

Sarah Crompton finds Pina Bausch's Vollmond a piece of exceptional quality at Sadler's Wells.

telegraph.co.uk (3 months ago)

Two Cigarettes in the Dark, Sadler's Wells, review

Pina Bausch's Two Cigarettes in the Dark at Sadler's Wells is a pleasure to watch, says Sarah Crompton.

telegraph.co.uk (3 months and 9 days ago)

Two Cigarettes in the Dark, Pina Bausch, Tanztheater Wuppertal, Sadler’s Wells, London

independent.co.uk (3 months and 9 days ago)

Two Cigarettes in the Dark, at Sadler's Wells, review

Pina Bausch's 1985 work, Two Cigarettes in the Dark, is old hat and rather repetitive, says Louise Levene

telegraph.co.uk (3 months and 4 days ago)

Two Cigarettes in the Dark at Sadler’s Wells

After the Pina Bausch marathon of last year — when ten of the late choreographer’s productions were seen in London...

thetimes.co.uk (3 months and 7 days ago)

First Night: Two Cigarettes in the Dark at Sadler’s Wells

After the Pina Bausch marathon of last year — when ten of the late choreographer’s productions were seen in London...

thetimes.co.uk (3 months and 6 days ago)

Vollmond at Sadler’s Wells

Few artists inspire such adulation as Pina Bausch, the hugely influential choreographer of Tanztheater Wuppertal. Vollmond, which premiered in 2006,...

thetimes.co.uk (2 months and 30 days ago)

Free rain: Pina Bausch's Vollmond at Sadler's Wells - in pictures

A selection of images from Tanztheater Wuppertal's rendition of the late choregrapher's Vollmond (Full Moon)Tristram Kenton

guardian.co.uk (2 months and 28 days ago)

MoveTube: Pina Bausch's Bluebeard

Bausch's riff on Bartók's murderous tale is a watershed moment – full of dark, poisonous themes that would increasingly obsess herWhen Pina Bausch died in 2009, no one knew whether her work or her company would survive. So far, however, it seems to be doing much more than just clinging on. After the spectacular month-long season that Tanztheater Wuppertal performed in London...

guardian.co.uk (3 months and 9 days ago)